ORIGINALLY WRITTEN FOR KARACHI TIPS
Those who tell the stories, rule the world (Navajo proverb, also attributed to Plato).
I do not know whether such people can rule the world or not but they surely rule people’s heart. What’s the proof? #SavingFace started trending on twitter after the path-breaking win of co-directors Sharmeen Obaid-Chinoy and US-based Daniel Junge at the Oscars. *OMG! Bhangra & Teary Eyes*
Saving Face, Pakistan’s first nomination and win for the Academy awards, is a short 52-minutes documentary on the issue of acid attacks in Pakistan. It competed against God Is the Bigger Elvis, The Barber of Birmingham, Incident in New Baghdad, and The Tsunami and the Cherry Blossom. The short documentary is filmed entirely in Pakistan and scheduled to be aired in March 2012 on HBO.
While the theme in consideration might be considered as a story of despair by many, but for the director the stance is, “Should we not talk about these things just because they are negative? Because Pakistan can fix its problems if it so chooses.” (Dawn Interview) and “this was not going to be a story of despair, but this was going to be a story of hope because far too many stories of despair come out of Pakistan” (RFE/RL Interview).
The film narrates the pain, struggle and healing of two women Zakia and Ruksana who were attacked by acid. One of them fights to see that the criminals get the toughest sentence. The film traces the travels of British Pakistani plastic surgeon Mohammad Jawad, who performed reconstructive surgery for them. It also features the lawyer who takes up the case and also the work of women politicians to get a bill passed in Parliament. It also highlights the effort of a NGO that works to rehabilitate these survivors. When multiple people work towards a problem, the problem has to bow down. Solution has to arise. In this way, the story is beautifully layered and inspirational.

While holding the coveted Golden statuette with composure, in her acceptance speech she thanked and dedicated the award to “all the heroes working on the ground in Pakistan including Dr. Mohammad Jawad who’s here with us today, the plastic surgeon working on rehabilitating all these women, Rukhsana and Zakia who are our main subjects of the film whose resilience and bravery in the face of such adversity is admirable, and to all the women in Pakistan who are working for change, don’t give up on your dreams. This is for you.”
Oscar is not the only reason that Sharmeen has given her country to be proud of. In 2003, Sharmeen became first non-American to win the Livingston Award for Young Journalists, one of the most prestigious awards in Journalism. She’s also a TED fellow. Her 2010 documentary on children, Pakistan’s Taliban Generation, won an International Emmy Award. The day she won an Emmy was also the day when her father passed away. A day earlier, he had predicted that he has seen her win the Emmy. While boarding to return back to Karachi in urgency, she received a call from Daniel that they had won. She narrates this event as “a bittersweet moment for me”. Thus, I believe, the Oscar was surely due for long and much well-deserved.
To everyone’s surprise, Sharmeen has not studied filmmaking but her work in journalism and strong academic background in Economics (at Smiths College), International Policy Studies and Communication (at Stanford University) has given depth to their story-telling. Due to her innovative subjects, courage and Stanford connection, she’s our very own well-read Steve Jobs
. In one of her interviews, she told that she channelizes her aggression about issues through cinema. She is also the founder (brain and heart) behind The Citizens Archive of Pakistan which does some wonderful work for citizenship education and archiving/communicating Pakistan’s history. Shanakht Festival, Oral History Project, School Outreach Program and much exciting Exchange for Change between students of Pakistan and India are its key projects.
Peace and blessed be, Sharmeen. Thanks for making us all proud!
You’re my role model and our true hero, much respect!
Filed under: art, New Media, Odes