Tag Archive | "San Francisco"

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Ink and Paper

Posted on 11 February 2012 by Tea Server

Okay, so today I’ve written a short story as a guest post for Furree’s awesome blog. Thank you so much, Furree, for giving me the opportunity! You can read my guest post on Furree’s blog here.


Or you can continue reading below, because I’m posting the story on my own blog right now as well.



This guest post is a short fiction story I’ve written about a broken family, titled ‘Ink and Paper.’ These are two entries from the respective journals of a father and daughter. Sadaf’s parents are divorced and she lives with her mother, Tanya, in Pakistan. Sadaf’s father, Haroon, lives abroad in the United States of America. He lost the custody battle, and is permitted to see his daughter only once every five years. The first time Sadaf traveled to see him was when she was eight years old, when Haroon lived in Washington DC. The second time was when she was thirteen, and he lived in San Francisco.


Ink and Paper

Sadaf’s Diary:

Dear Diary,

It seeps into me, that poison known as ‘depression’, overcoming my defenses and rendering me helpless, like a rat trapped in a snake’s clenched jaws. An inevitable, destructive venom coursing through me; pulsing through my veins, sweeping me along in its wake. Like a tidal wave too powerful to battle against so you just succumb and let yourself float along with ease. I can feel it in my bones when it’s coming, drawing closer. I would run if I didn’t already know that it has the power to overtake me instantly.

When I was little, Amma would tuck me into bed every night. She would lay me down, and sit awhile next to me with the lights off, the two of us submerged in impenetrable darkness, chattering about everyday things. Sometimes as I jabbered on about meaningless topics – the frivolous activities I indulged in with friends, the minor indignities of being reprimanded in class, never-ending complaints of homework – she’d trace a hand along my forehead lightly. I’d feel her fingertips against my skin, skimming my temples, gently tangling in my hair. I’d close my eyes briefly and accustom myself to the feel of it. I remember clutching onto those moments. They were the epitome of everything beautiful to me.

The conversation between my mother and me usually lasted half an hour, dying out as sleep stealthily sank its firm clutches into me. When I drifted in the limbo between sleep and wakefulness – lingering in that no-man’s-land before crossing over – she’d stand up. Taking the blanket folded into a neat square at the end of my bed, she’d open it, grasp it fully by both hands, and shake it over me powerfully, so that it would flutter down and cover me. I could feel it when she did that. I would feel the blanket twisting, rippling above me like a living thing, causing stirs in the atmosphere, light bursts of billowing air. I could feel it free-falling, as the air abandoned it in the hold of gravity, as it settled on my body.

Depression, as it approaches – I’ve come to find out – does so in much the same way. It loiters, hovers over me like that blanket. It stays in that position for days, sometimes even weeks, before falling and settling with a lasting finality.

Depression slows me down in every way. It tires my body, numbs my mind, and slows my reflexes. I feel dumber, mute, my intelligence and willpower draining out of my system. The very thought of making plans with friends exhausts me. Conversations seem daunting, requiring more energy than I could possibly spare. Silence becomes my sanctuary.

Sometimes, in those nights when we talked, I would chirp brightly, “Amma, when is Papa coming back home?” That was before I knew the word ‘divorce’, before I was old enough to comprehend the ugliness of it. She would normally shush me, but sometimes she’d indulge me, allow me my fantasies. I’d lie there as she’d spin tales of us going to live with my father soon, promises that kept me enchanted. She’d boldly state assurances of him visiting us soon. Such beautiful lies to believe in, punctuated by excuses of why all of it only existed in the future. “Your schooling here, his job abroad isn’t steady yet.” Excuses that my subconscious was more than willing to accept; like a drowning man clutching onto a drifting log of wood.

I realize now that when she told them, she actually indulged not only me, but herself too. She’d let herself believe, just for a few minutes, in the words she was speaking. And in that darkness then, the mirages she’d just depicted seemed almost substantial, shimmering in the distance; puddles of gleaming water that had yet to disappear, vanish before our very eyes into nothing.    


Haroon’s Diary:

Dear Journal,

The gym is the one place I feel gloriously alive. The only place really, where I can feel powerful again. I exalt in the strength of my body, in the miraculous beauty of it, muscles, sinews and cords working in tandem to create effortless movement. I revel in every drop of sweat trickling down my skin, in the flushes of heat suffusing me as I push myself to my limit. I feel reborn again. Like maybe I have a second chance at life, a do-over; like maybe the events of the past can be undone and my doom can be reversed. Like maybe I haven’t annihilated my marriage or haven’t lost the custody battle.

I have many memories of my daughter. I’ve seen her only twice in my life – the first when she was eight, and the second when she’d newly turned thirteen – but the memories are still clear as crystal. They’re lodged in my mind, vivid and sharp, just bursting to come to the surface. Work keeps them tamped down, restricted. The pressures of my multiple jobs, knowing I have massive debt and loans to repay, doesn’t allow me to waft in nostalgic reminisces. But when I’m at the gym, I feel free. The memories overpower their boundaries, envelop me. I see Sadaf then, her bright glowing brown eyes and her quick, impish smile. The deftness with which Sadaf moves that came only through me; Tanya, my ex-wife, is known for being a klutz, her clumsiness a defining trait of her character.

During Sadaf’s latter visit, when she walked down the ramp into the San Francisco airport, on the brink of womanhood, her eyes searching through the milling crowds for my face, I was blown away. I was astounded by the confidence with which she moved, and the grace with which she conducted herself. I was transfixed by the change in her accent, how it had deepened and matured to something unrecognizable. Weekly Skype-ing sessions hadn’t done justice to my daughter, hadn’t portrayed the vivaciousness of her personality or the beauty of her nature. She was an alien thing, a foreign creature. No matter how hard I searched, I couldn’t see myself in her. I couldn’t sense myself being reconstructed in her. I couldn’t find a solid part of me within her being, a part that would allow me to state with relieved conviction that this girl was indeed my daughter. She was her own and completely so, untouched entirely by me. Two islands who’d once been interconnected, but now the bridge had crumbled away, isolated each.

But when she’d first come to me at the age of eight, things had been different. I’d been living in Washington DC then. She arrived in December, when snow was coating everything thickly; a girl with curly black hair and rosy dimpled cheeks, bundled up in a sweater and a scarf and a thick fluffy jacket. I’d been embroiled in work then, and couldn’t afford a holiday. I left Sadaf with a trusted sitter for the entire day, until I returned in the evening. I’d find myself rushing through my job, hurrying through the mandatory tasks and clipping away everything that could be clipped, just in an effort to get back to her as soon as possible. When I reached home, I would quickly open the door. The sitter would stand up, a college girl of about twenty, eager to depart. I’d proffer her some bills, she’d take them, and a confirmation of tomorrow’s timings would be exchanged. And then she’d go, leaving me alone with Sadaf.

It was a routine we both knew by heart.

“Sadaf! Sa-daf!” I’d cup my hands around my mouth, call her name loudly, stretching the syllables. A giggle could be heard, and then the bedroom door would be pushed open tentatively, a small crack out of which her eyes peeped through. I knew my part in this game, and played it well. With a friendly roar, I’d lunge towards the door, and she, shrieking, would back away, jump on the bed. We’d chase each other then, cat running after a mouse, Tom & Jerry being enacted right in our bedroom. I could’ve caught her easily of course, but what fun would there be in that? And so I chased her, holding back just enough so that she’d be able to escape, making it look like she really could elude me.

She’d leap off the bed and race into the kitchen then, down the hallway, into the living room. I’d run after her, making a deliberate effort to produce exaggerated pants and huffs, giving Sadaf the joy of believing in her speed and that it out outrun mine.

And of course I knew, even before I entered the living room, where she would be. A large cupboard stood next to a sofa on a far end of the room. She’d scramble on top of the sofa, from where she’d leap up onto the roof of the cupboard. And there she’d stay poised, a huge smile curling her lips, waiting for me.

And I, the perfect partner in this game of dance, would step up gallantly and hold out my arms. And with a shriek of pure, unadulterated joy, she’d launch herself – literally heave herself and catapult into the air – right into my arms.

The trust with which she did so – the unwavering belief that I would never let her fall; not catching her not even being a possibility to be considered – never failed to bring tears to my eyes.

Sometimes, even now, the mere memory is enough to dampen my eyes, blurring my vision with a sheen of wetness. But these are just memories, a way out of reality. Memories of moments that are long gone; faded and blended into shadows. Of perfect moments that can never be recaptured or relived, but only remain encapsulated forever in the pages of this journal, in ink staining white paper, maiming it purposelessly.
Syndicated from: Random Ruminations

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Guest Write-up: Pakistani artists in San Francisco

Posted on 03 February 2012 by Tea Server

A few weeks ago I received a message from a fellow tweeter who wanted to share a write-up she had written for a Pakistani group exhibition that took place in San Francisco late last year. She sent it to a couple of English newspapers and publications in Pakistan who said they’ll look into it but nothing really came out of that.

For me, it is imperative that artists, students and viewers start looking at work and discussing it, voicing their own opinions. There are really no wrong or right opinions, unless they are based on pre-conceived notions of what should be. However, it is important to educate yourself and try to dip your finger in this murky pool! Most importantly, the more people begin to write, the more exposure Pakistani shows and artists will receive, especially those who are less covered or not covered at all in the media.

I’m glad that the writer decided to send it to me and see if I’d put it up. And I was yes yes yes to Guest Write-ups!

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WORKS BY TASMIA & FATIMA - The Blue Studio – Michelle O’Connor Gallery

Tasmia Zahra Hussain (formerly Tasmia Qasuria to her NCA colleagues)website

Fatima Zaman

Paintings in oils, acrylics & mixed media

By Sehr - @Ricochet118, California

The term ‘Brain Drain’, is commonly used to refer to the exodus of talented and bright young Pakistanis that has been going on for a number of decades. However, what is usually not acknowledged is the fact that this Pakistani Diaspora has been sharing the wealth of its talents and skills within the communities where it has settled. The recognition and promotion of such achievements is becoming more important in the current socio-political climate as the repercussions of increasing paranoia and stereotyping are being manifested in alarming ways. Whenever there is a noticeable contribution made by an individual of Pakistani origin within a community, it is a triumph for the image of Pakistan and Pakistanis.

Two such immensely talented individuals making their mark away from home are Tasmia Zahra Hussain and Fatima Zaman, who currently reside in the United States. These two promising young Pakistani artists are being welcomed into the San Francisco art arena. I had the opportunity to attend the opening of their recent exhibition in San Francisco, titled ‘Works By Tasmia and Fatima’, and later sat down with these enthusiastic young ladies to talk about their art, their experience exhibiting in the US and their aspirations for the future.

Tasmia Zahra Hussain

Both artists have their own distinctive style of painting and both have completely different exposure to the arts. Tasmia appears to be the more seasoned of the two artists. She graduated with distinction from the National College of Arts in Lahore with a major in Fine Arts and went on to complete her post-baccalaureate from the San Francisco Art Institute.  She already has a presence in Pakistani art circles where she has exhibited her work a couple of times. Her work includes extensive use of floral imagery and natural elements, while her colours remain muted.  Tasmia’s paintings seem to have a slight ethereal quality to them and reflect her introspective nature. She refers to her paintings as ‘concealed pages of her life’. Most of her pieces are untitled and she explains that the reason for this is that her work is very personal and reflective of her experiences and thoughts. However, she prefers each person viewing her work to absorb it based on their own experiences instead of mulling over the basis of her inspiration.

Fatima Zaman

Interestingly, Fatima’s style is in sharp contrast to Tasmia’s. Her color palette is bold and vibrant. Her forms are sharper and more defined. Bold colors, ethnic imagery and repeated use of the female form are characteristics represented in most of her pieces. The use of color and texture in some of her works is breathtaking. Metal jewels and trinkets adorn some of her more ethnic pieces and add a whimsical, almost kinetic quality to her pieces. She creates a lot of mixed media pieces and has also created a few pieces on an unconventional wooden grain canvas.

Fatima has had no formal training in the Arts and she has always been painting as a hobby and painting on a consignment basis in the San Francisco Bay Area. She has also dabbled in other creative ventures such as jewellery designing and has worked at an interior design firm.

During our discussion, Tasmia opines that Fatima’s lack of formal training has probably worked to her advantage as she is not weighed down by the knowledge of the techniques taught in Art school. She can successfully and without hesitation bring her emotions and message to the blank canvas.  Fatima herself states that she is a very passionate person and that her real-life traits of non-conformity and emotional abandon are what are manifested in her work.

Both artists would like to exhibit their work in Pakistan. However, they are currently focusing on firmly establishing themselves in local San Francisco art circles and plan to exhibit their works in galleries around the SF Bay Area. Establishing their name in the international arena is a goal for them and their achievements are a source of pride for Pakistan.

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Syndicated from: The s.a. Project

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Charlie Brooker in Tokyo: ‘In Japan geeks are comfortably mainstream’

Posted on 01 February 2012 by Tea Server

Charlie Brooker in Tokyo: 'In Japan geeks are comfortably mainstream':

Video game aficionado Charlie Brooker makes a pilgrimage to Japan, a mecca for electronics, games and comics, and feels right at home among Tokyo’s unfathomable futuristic madness
• Browse our Tokyo city guide
• See our immersive video experiment
• Play classic games in our arcade

People often cite admirably high-minded reasons for wanting to visit a specific foreign country. An interest in history or architecture, perhaps. A desire to walk in the footsteps of their favourite author or artist. Or maybe they want to make a musical pilgrimage to the spiritual birthplace of jazz.

Bully for them, but that’s not me. I wanted to visit Japan because of a video game in which you had to jump over animated turds.

The game was called Kato-chan & Ken-chan – a cheerful platform game in the vein of Super Mario Land, except the lead characters urinated, farted and defecated throughout each level. Kato-chan & Ken-chan was one of many imported, inexplicable Japanese titles I encountered while working in a games shop in the early 90s. Mario and Sonic made sense to western players, but lurking just beyond these palatable mascots was a world of entertainment too strange to ever secure an official European release: fascinating, crazy games full of talking octopuses and jaunty tunes. American games were fun but bland. Japanese games oozed a demented spirit. Unfathomable, futuristic madness: that's what made me want to visit Japan.

Of course, it helps that Japan has, for years, been presented as a kind of Nerd Mecca. Not only is it the undisputed gadget capital of the world, it’s a place where being a geek (or otaku) is comfortably mainstream. Former Prime Minister Taro Aso is an enthusiastic manga-collecting otaku, the TV ad breaks heave with glossy commercials for collectible card games, and multi-storey games arcades are commonplace. There’s a gadget in every hand. Outside rush hour, the subway is eerily silent: thanks to a strong underground signal, everyone’s staring at their smartphones, texting, playing games, or reading. Only after a fortnight did it strike me: not once did I hear a single person actually speaking into their phone on the Tokyo subway. Everyone – and I mean everyone – seemed to be perpetually tapping and swiping in silence. Unnerving to many: to a geek like me, it felt strangely comforting.

It’s easy to find grand-scale geek spectacle in Tokyo: just hop on the monorail to Odaiba, a man-made island in the middle of Tokyo bay. There, nestled amongst a collection of Bizarro skyscrapers straight out of Starship Troopers, is Miraikan, the National Museum of Emerging Science and Innovation. Here you can watch celebrity robot Asimo go through his paces, or simply gawp in astonishment at the gigantic “geo-cosmos globe”: an LCD-clad model of the Earth capable of depicting metrological data in real time. This is what Logan’s Run would’ve looked like if they’d had more money and time. There are also a series of frankly baffling exhibits, including one which, apparently impossibly, projects a gigantic microbe-style creature around your feet as you enter. This virtual floor-dwelling entity then follows you around the room as you shuffle about, interacting with monitors with giant eyes on them, some of which offer to “turn you into a song”. It’s like a cheese dream on a mothership.

For a more down-to-earth nerd-out, Tokyo’s Akihabara district is to geeks what San Francisco’s Castro Street is to the LGBT community. It’s an otaku paradise, an overwhelming whirl of shops selling electronics, games and comics. Any object you can conceive of having a USB attachment poking out of it is for sale, along with several hundred thousand that you can’t.

I’d been looking forward to browsing the shelves for zany gadgets, but the reality was slightly disappointing. Smartphone apps have replaced many of the charmingly pointless Japanese gizmos that used to be pop up on late-90s travel shows. More significantly, the west has become overtly tech-obsessed too. At home, we’re routinely battered over the head with so many miraculous widgets, a sort of amazement fatigue has set in. So while in Japan you can easily stumble across a remote-control tissue box or a battery-operated planetarium for your bathroom (by which I mean a waterproof Saturn-shaped orb that floats in the bath and projects the entire visible universe onto the ceiling), the sense of surrounding novelty has diminished. It’s less “WTF”, more “yeah, that figures”. Touring the electronic shops is still an entertainment in itself: I was merely surprised to discover I didn’t actually want to buy anything.

One of the few places I did want to spend money was in the arcades. In Britain, arcades have largely died out: we play at home, on Xboxes and PlayStations. Consoles are even more widespread in Japan, of course, but for many, finding the time and space to play in comfort is tricky. Home is often a cramped flat for all the family. Hence the evolving use of manga cafes (or mangakissa) for the nerd seeking a bit of peace and quiet. Originally these were internet cafes where otaku could gather to drink coffee and read comics: they’ve subsequently morphed into surrogate bedroom services. For an hourly fee you can hire a private cubicle containing a TV, a BluRay player, a computer, a games console, a stereo … everything you’d find in a techno-savvy twentysomething’s home den, right down to the bed (increasing numbers of people sleep in these bedrooms-for-hire overnight: they’re open 24 hours and are considerably cheaper than a capsule hotel).

Given this environment – herds of itinerant otaku wandering the streets – the continued survival of games arcades in Japan makes sense. But these are a far cry from the traditional British seaside arcade packed with flickery old Track and Field cabinets. These are bleeping, whirring, multistorey citadels filled with people doing things that scarcely make sense to an outsider. Let’s run through a typical example, level-by-level …

On the ground floor: endless rows of what the Japanese call “UFO grabbers” – those familiar fairground games in which you make a doomed attempt to grab an underwhelming prize using a mechanised claw. They seem to love these things, despite the fact that to the best of my knowledge no human being has ever successfully extracted a prize from one. Failure booths, I call them.

Go up a floor and the crazy video-gaming begins. Given the competition from home consoles, arcade machines have to offer something different. Case in point: Cho Chabudai Gaeshi (“Flipping the Tea Table Game”) which consists of an arcade cabinet with a small table attached to it. It’s actually more of a stress reliever than a game: the aim is to vent your frustration by hammering furiously on the tabletop before tipping the whole thing over in a rage. Time it properly and you’ll cause maximum on-screen chaos. My favourite level was set in an office, with the table doubling as a desk: upend your workstation at just the right moment and you’ll send co-workers plummeting out of the window to their deaths.

Above that: a floor filled with super-advanced photo booths known as purikura – essentially digital dressing-up boxes. There are two main uses of a purikura: either jostle in with a bunch of friends to commemorate a night out, or, if you’re a teenage girl and/or a psychopath, spend hours perfecting your costume before having your image digitally altered until you resemble a creepily infantilised manga cover girl.

Top floor: a roomful of sombre youths vying for individual supremacy using some form of networked arcade strategy game that uses collectible cards. Imagine witnessing a game of bridge being played in the Cabinet War Rooms in the year 2072 AD. Some of the games are based around recognisable sports (like football), others around ancient samurai conflicts – but whatever the theme, the nature of the action is absolutely impenetrable to the casual onlooker. The players may as well be communicating psychically. I had no idea what I was looking at: the one thing I did know was that this unfathomable futuristic madness was precisely the sort of thing I’d come to Japan to see. Somehow, I was home.

• Virgin Atlantic (0844 2092 770, virginatlantic.com) flies from London Heathrow to Tokyo from £846pp return. Mandarin Oriental Tokyo (00800 28 28 38 38, mandarinoriental.com/tokyo) offers rooms from £357 per night, B&B. Conrad Tokyo (+81 3 6388 8000conradhotels.com) has Bay View Rooms from ¥42,000 (around £350). The Peninsula Tokyo (+81 3 6270 2888, peninsula.com) costs from £374 B&B, excluding taxes, for a superior room.

Specialist operator Inside Japan (0117 370 9751, insidejapantours.com) offers small group tours, self-guided or fully tailor-made trips. Its 14-night Best of Japan self-guided holiday, which includes stays in the mountains of Hakone, on the island of Miyajima and in the craft town of Takayama as well as Tokyo, Osaka and Kyoto, costs £2,280pp, excluding flights and local transport. For more information go to the Japan National Tourism Organization website: seejapan.co.uk

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as 2012 rolls in…

Posted on 10 January 2012 by Tea Server

Before I start the first post of 2012: Thank you 2011 for leaving, you were truly a terrible year.

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Mizna Zulfiqar – MA (Hons) Visual Arts Degree Show 2012

It’s been a whole month and a jump into 2012 since my last blogpost. It’s partially to blame on Twitterwhere I’m most often found, constantly tweeting about new shows, exhibitions, grants, photo shares and anything interesting on Pakistani and International Art. The s.a. Project facebook page has grown a lot too and I share many stories at that platform as well.

Today I ended up adding so many more Pakistani / South Asian artists and galleries to my twitter list that it made me think: Maybe I should compile a Pakistan-centric list of people/galleries/art institutions on twitter and post it as a permanent page addition to the blog. It can be updated regularly and people can email in to have their twitter-handles added in. I think  a resource like this will provide a lot more exposure and encouragement to the Pakistani art tweeple, who are in all honesty quite sluggish in their posts (says the woman who last blogged on Nov 29, 2011!). At the moment, while the world tweets about world affairs, art, fashion, food and everything you could imagine about, the Pakistani timeline is choked up with journalists and commentators. A lot of them have become good friends and acquaintances of mine, and although they’re doing a great job it becomes very monotonous. So, lets jump on to the bandwagon now shall we, even if we’re a few light years too late!

Another reason I was so delayed was my involvement in a GREAT international art project, with immense possibilities, that I unfortunately had to walk away from because of a few unprofessional members involved. Another case of middle men mismanagement - in any case I have fumed and foamed at the mouth and I’m over it. Moving on…

Whats next on the blog?

Graduating Class – MA (Hons.) Visual Arts, NCA

I’m currently working on the MA (Hons.) Visual Arts Degree Show 2012 post (the show will be wrapping up tomorrow, January 11, 2012) and it should be up in the next few days, or as soon as I receive all the tons of material I’ve requested from them! I’m very excited for the 9 artists that have graduated, many of who are old friends. Over the past few months I have worked closely with a few of them via email and Skype and I’m excited to see how their work has turned out. They did me the great honour of having me write something for their show catalogue and I also got a super cool shout out from them in the end. Made this monster misty-eyed for a moment!

However, I insisted (translate: argued) with them on not writing my title as Art Critic.  I don’t think I’m there yet…I’m more of a Has Too Many Opinions title kind of person. I did get an Art Journalist title from them and I know exactly which people at NCA would be scoffing at that.

Additionally, I will also be blogging a Guest Post reviewing a Pakistani group show in San Francisco. I’m excited that people across the globe want to share their own reviews and write-ups here.

So if you want to send in a story, photographs or anything you think I should know about, drop me a line at saira([at]sairaansari(dot)com (apparently this is how you avoid spam mail, fingers crossed!). I might blog it, and will most definitely tweet it!

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And DO check out the amazing shows Bani Abidi and Huma Mulji  put up in Baltic – UK, Project 88 – India and Grey Noise – Pakistan. Clicking on the photos will take you to the exhibition photo albums posted on Facebook.

Bani Abidi: Section Yellow at the Baltic, UK – image courtesy Green Cardamom. The show is also showing at Grey Noise, Pakistan till January 13, 2012.

Huma Mulji | Twilight at the Project 88 gallery, India

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Visit The s.a. Project facebook page for more regular updates

And definitely join in on my adventures on twitter – SairaAnsariPK

Syndicated from: The s.a. Project

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Perfection

Posted on 19 December 2011 by Tea Server

Maria’s fingers groped along thewall, skimming lightly over the smooth surface of the tiles. They encountered aprotruding object, a light switch. She flipped it, and illumination flooded thebathroom, chasing away obscurity instantaneously. Pushing open the door, Mariastood motionless on the threshold, her expression curiously unreadable. Secondsslowly trickled by; yet movement did not course through her limbs.

Far away, somewhere in the depthsof the expansive, spacious house, a telephone began ringing shrilly. Thecacophonous sound jarred the unbroken silence that had permeated the house, settlingover it like a thick, billowing blanket, both suffocating and placating hersimultaneously. She ached to escape the silence, flee from its clutches; yet apart of her yearned to embrace it, found in the silence an omnipotent,unparalleled source of ultimate salvation.

The telephone pealed again, apersistent commotion. It roused her out of her epiphany. In one fluid motion,she tugged at the strings of her night-dress; let it fall to the ground in apuddle of silk. Naked, her body free of any restrictions, she stepped into thebathroom. Closed the door behind her; letting it fall shut with a gentle, briskclick.

                                *             *             *

Tanya’s craving for her native cuisinewas growing unbearably overwhelming. Her stomach grumbled, urgently demandingfood – Pakistani food. Her eyes swept the crowded streets, searching in vainfor any sight of a restaurant or a stall serving eastern dishes.

Her husband turned to face her,raising his tone to be audible over the din and noise of traffic, cars andpassersby. “I’m starving, let’s get a burger!”

Tanya sighed miserably, a frownmarring her forehead. Another meal comprising of fast food, and she might justscream!

“There’s an In-N-Out Burger justa few blocks ahead,” Abdullah prattled on, oblivious to his wife’sfrustrations.

“No. I want some Pakistani food,”stated Tanya decisively.

“But you can have Pakistani foodany day back home!” protested Abdullah. “I thought we decided to vacation hereso we could ‘indulge in a total foreign experience; let ourselves be swept awayby the culture of another country.’” He raised an eyebrow, making quotations marks inthe air with his fingers.

“Yes,” admitted Tanya. “I did saythat, but now I want desi food. It’s been two weeks, and everything I’ve eatenjust tastes so – bland.”

“Fine,” agreed Abdullah,accustomed to giving in to his wife’s impulses. “There’s this thing up ahead.Harold told me.” Harold was the name of the landlord of the rented apartmentwhere the two of them were staying.

“What thing?” she queried.

“Um, this kind of fair, he said.It’s a bunch of different stalls, showcasing items from different countries.And of course, selling them too. We might get some kind of desi food from aPakistani stall.”

“Yeah, that sounds good to me.How far is it?”

“Just a few blocks,” he replied.“You want to walk it?”

“Okay.”

They began striding forwards,lengthening their pace, sometimes jostling against passersby. Abdullah’s cellphone vibrated in his pocket, and he drew it out, squinted at the brightlyglowing screen. Shooting a quick glance at Tanya to indicate it was awork-related call, he flipped the cell phone open. “Abdullah Rehman,” heaffirmed, and then fell quiet, evidently listening to what the person on theother end had to say.

Tanya pursed her lips, struggledto suppress the flow of resentment suffusing her. Though she acknowledged thather husband worked to maintain their luxurious lifestyle, at times she couldn’thelp despising her husband’s work and his buys lifestyle, remembering all thosehours she roamed the house alone; her children busy at school, husbandembroiled in his work. For all her comforts, there was one money couldn’tpurchase: the pleasure of companionship. It eluded her continuously, determinedto avoid her forever. And the more it was denied to her, the harder she desiredit.

Abdullah was speaking now,issuing clipped, proficient instructions, and Tanya found her mind wandering.It left the buzzing streets of San Francisco, floating upwards like a heliumballoon, landing, as it always did, upon her children. Bilal, Fatimah and Maria,the three people her life had revolved around since the past twenty five years,like the earth orbiting the sun. They were her centre, the one permanent thingkeeping her grounded, the anchor embedding her to the existential andpreventing her from being washed away. Bilal was now twenty-five and studiedeconomics at the University of Chicago, Fatimah approaching twenty-three andmajoring in Organic Chemistry at Cornell. Both had aced their O and A Level,winning hundred percent scholarships to pursue higher education. At eighteen, inher final year of A Level, Maria was still the ‘baby’ of the family, poised totake flight from the nest, just teetering on its very edge.  Though they had emerged from her womb, theylooked nothing like her, inheriting her husband’s paler skin, his jet blackhair, and his tall, lanky figure. 

They were grown up now, each ofthem adults, independent, no longer bound to her. She remembered them squirmingin her arms, suckling on her breasts, so vulnerable and fragile, her name thefirst words escaping through their lips after a nightmare, when they fell down,bruised a knee. Though she cherished their stupendous success – each of themevery parent and teacher’s dream – a part of her longed to unravel it, reversetime and start all over again. Like a string unwinding, unsnapping, falling tothe floor, free and uncontained; the process of being rolled up again yet tohappen then, and therefore holding limitless possibility.

But these were ramblings,pointless musings. The reflective ponderings of a woman growing old, a womanwhose life had been so busy, so full of things to do, to manage, to lookforward to; but despite that, a life that still felt wasted, ultimately endingin a summation of nothing concrete and valuable. She hoped – hoped greatly –that her children would never feel this way. They were content with theirlives, of that she was certain. Lately though, she had sensed a rising restlessnessbudding within her youngest Maria, a sense of dissatisfaction thrumming withinher like a discordant chord. She could feel it within her daughter, gainingmomentum with enough strength to gather Tanya’s attention. But before she couldfocus on it fully, begin to entirely acknowledge its existence, it would disappear,seeping out of her daughter like a plug had been pulled out, the emotionsswirling away like dirty water down a bathtub drain. Then Maria would return toher normal happy self, a smiling child with dreams that knew no boundaries, norestrictions.

She thought to giving it morenotice sometimes, probing and delving in deeper, investigating more. But shebanished that thought almost immediately when it occurred, dismissing itconfidently. She knew her children, did she not? She had spent years, endlesshours, making them the only point where her life converged. No one knew thembetter than her. No one was closer to them than her. I know my children, she would think to herself. I know my children inside and out, and Iknow they are happy. They had no reason not to be. She would not pickfaults, or find flaws where there were none. Perfection, many said, wasunattainable, but her life proved them wrong. She had perfection – had it inthe one aspect every parent wants – in her children.

                                *             *             *
The mirror showed a girl with apale, heart-shaped face, raven locks tumbling down to her shoulders in gentle,tousled waves. Green, almond-shaped eyes framed by long lashes stared out fromthe mirror. The nose was small and upturned; the lips pink and small, full tothe extent of being swollen – as though stung by a bee. “A rosebud mouth,” Omarhad often murmured in the whorls of the ear, before leaning down to kiss it.The girl had a slender neck, a voluptuous body. She would have been considereda vision, an epitome of pure, unadulterated beauty, had it not been for the redcuts slashing across the skin of her arms, her thighs. They were grotesque,cutting this way and that, marring the beauty of her image, crushing itentirely. They stood out, vivid scarlet stripes patterned into her ivory skin,the red harsh against the white.

Maria gazed back at herreflection intently, unblinking, as though committing it to memory. A heavy,substantial weight had been settling down on her chest throughout the course ofthe day, stealing her breath, robbing her of energy. It was like a rock, toobig for her to push against. She needed to get rid of it, needed to get it offher chest before it killed her.

She reached for the button and flickedoff the light.

The silvery light of the moon filtereddistinctly through the windowsill, illuminating Maria dimly as she dropped downto her knees, eased gently onto the bathroom tiles. Her movements were carefuland wary, for contact of any surface with the cuts inevitably brought pain. Asthe floor met her mutilated skin, her wounds screamed in protest. She gaspedinvoluntarily at the agony, an agony that was as blessed as it was cursed. Shelay on her side, her face upturned towards the glow of the moon, likesunflowers embracing the sun’s glittering radiance. Maria curled up into afetus-like position, her knees digging into her stomach.

The memories came to her then,enveloping her as they always did. They overpowered her, consuming her peace ofmind mercilessly, like a hunter devouring the helpless prey. A picture of Omarswam in her mind. He was the most beautiful boy in the entire school,carelessly handsome, brilliant in academics, sports, everything. She couldhardly believe that he had wanted her – her, Maria! At times it had felt like ahallucination, a mirage just waiting to vanish, dissolve into thin air. Butthree years had passed, and he was still there, and her friends were stillchanting to her about how lucky she was.

And then, he graduated. Obviouslyhe was a year older than her so he was bound to graduate ahead of her. She hadknown he would go abroad, study in the US, but what she hadn’t anticipated wasthat he would want to end things then. In her mind, their future life togetherwas mapped out clearly, just waiting to be lived. Clearly though, that was notthe case with him.

“It’s not you, it’s me.” Thatclichéd line he had uttered, and then she knew, knew with undeniable certaintythat he was determined to leave her, that he had possibly never even intendedto stay. Before, she had been holding onto the belief that this was just aphase – a case of ‘cold feet’, so to speak – but with that line, that beliefwas demolished. She gave up after that.

Four months later, and his facestill floated before her, shocking in its vividness. She closed her eyes,swallowed. It was time to lessen the pain. It was time to decrease misery, toend suffering and gain control again, in the most effective solution discoveredby her.

The knife glittered in the lightof the moon as she raised it in the air, brought it down. In the distance, thetelephone began ringing again, the sound echoing over, reverberating throughoutthe house.

                                *             *             *

In San Francisco, thousands ofmiles away, Tanya licked her fingers, sucked on them in delight. “Oh my, wasn’tthat amazing!” she exclaimed, sighing with fulfilled satisfaction. The showarma she had just consumed from thePakistani food stall had been absolutely heavenly.

“I know,” moaned Abdullah, who’deaten three. “I’m so full I can barely move.”

“You shouldn’t have eaten thatmuch,” admonished Tanya, leveling a severe gaze at him. But even she herselffelt uncomfortably full, lethargy creeping over her. “Here, let’s sit for amoment.” She pointed to benches clustered together under the shade of a bunchof trees growing in the periphery, where the stalls ended.

Abdullah obliged, shufflingforwards and throwing himself onto the bench with abandon. Tanya perched on thenext one, opposite him. She rummaged through her handbag, drew out her cell phone.  Abdullah, who had been observing her, raisedan inquisitive eyebrow.

“I’m calling Maria,” she explained.“I rang the landline earlier, around thirty minutes ago, but nobody answered. SoI’m trying her cell phone now.”

She pressed the phone to her ear,listened to it ring. Nobody answered. A recorded voice announced clearly: “Hi,you’ve reached Maria! I’m not home right now, but leave your name and numberand I’ll get back as soon –” She hit the End Call button.

“She’s probably out with herfriends,” Tanya watched Abdullah yawn, one hand covering his mouth. He noddedin reply, and she put her cell phone back in her bag again.

She knew her daughter was toovivacious to ever be expected to sit home alone, when she could be out with herfriends. No, her daughter was too outgoing, too happy for that. She smiled,thinking of how engaging her daughter was, how bold and bright and colourful.Tanya closed her eyes and leaned back on the bench, letting the sunlight washover her.
Syndicated from: Random Ruminations

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