Or you can continue reading below, because I’m posting the story on my own blog right now as well.

Posted on 11 February 2012 by Tea Server
Or you can continue reading below, because I’m posting the story on my own blog right now as well.

Posted on 03 February 2012 by Tea Server
A few weeks ago I received a message from a fellow tweeter who wanted to share a write-up she had written for a Pakistani group exhibition that took place in San Francisco late last year. She sent it to a couple of English newspapers and publications in Pakistan who said they’ll look into it but nothing really came out of that.
For me, it is imperative that artists, students and viewers start looking at work and discussing it, voicing their own opinions. There are really no wrong or right opinions, unless they are based on pre-conceived notions of what should be. However, it is important to educate yourself and try to dip your finger in this murky pool! Most importantly, the more people begin to write, the more exposure Pakistani shows and artists will receive, especially those who are less covered or not covered at all in the media.
I’m glad that the writer decided to send it to me and see if I’d put it up. And I was yes yes yes to Guest Write-ups!
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WORKS BY TASMIA & FATIMA - The Blue Studio – Michelle O’Connor Gallery
Tasmia Zahra Hussain (formerly Tasmia Qasuria to her NCA colleagues) – website
Fatima Zaman
Paintings in oils, acrylics & mixed media
By Sehr - @Ricochet118, California
The term ‘Brain Drain’, is commonly used to refer to the exodus of talented and bright young Pakistanis that has been going on for a number of decades. However, what is usually not acknowledged is the fact that this Pakistani Diaspora has been sharing the wealth of its talents and skills within the communities where it has settled. The recognition and promotion of such achievements is becoming more important in the current socio-political climate as the repercussions of increasing paranoia and stereotyping are being manifested in alarming ways. Whenever there is a noticeable contribution made by an individual of Pakistani origin within a community, it is a triumph for the image of Pakistan and Pakistanis.
Two such immensely talented individuals making their mark away from home are Tasmia Zahra Hussain and Fatima Zaman, who currently reside in the United States. These two promising young Pakistani artists are being welcomed into the San Francisco art arena. I had the opportunity to attend the opening of their recent exhibition in San Francisco, titled ‘Works By Tasmia and Fatima’, and later sat down with these enthusiastic young ladies to talk about their art, their experience exhibiting in the US and their aspirations for the future.
Both artists have their own distinctive style of painting and both have completely different exposure to the arts. Tasmia appears to be the more seasoned of the two artists. She graduated with distinction from the National College of Arts in Lahore with a major in Fine Arts and went on to complete her post-baccalaureate from the San Francisco Art Institute. She already has a presence in Pakistani art circles where she has exhibited her work a couple of times. Her work includes extensive use of floral imagery and natural elements, while her colours remain muted. Tasmia’s paintings seem to have a slight ethereal quality to them and reflect her introspective nature. She refers to her paintings as ‘concealed pages of her life’. Most of her pieces are untitled and she explains that the reason for this is that her work is very personal and reflective of her experiences and thoughts. However, she prefers each person viewing her work to absorb it based on their own experiences instead of mulling over the basis of her inspiration.
Interestingly, Fatima’s style is in sharp contrast to Tasmia’s. Her color palette is bold and vibrant. Her forms are sharper and more defined. Bold colors, ethnic imagery and repeated use of the female form are characteristics represented in most of her pieces. The use of color and texture in some of her works is breathtaking. Metal jewels and trinkets adorn some of her more ethnic pieces and add a whimsical, almost kinetic quality to her pieces. She creates a lot of mixed media pieces and has also created a few pieces on an unconventional wooden grain canvas.
Fatima has had no formal training in the Arts and she has always been painting as a hobby and painting on a consignment basis in the San Francisco Bay Area. She has also dabbled in other creative ventures such as jewellery designing and has worked at an interior design firm.
During our discussion, Tasmia opines that Fatima’s lack of formal training has probably worked to her advantage as she is not weighed down by the knowledge of the techniques taught in Art school. She can successfully and without hesitation bring her emotions and message to the blank canvas. Fatima herself states that she is a very passionate person and that her real-life traits of non-conformity and emotional abandon are what are manifested in her work.
Both artists would like to exhibit their work in Pakistan. However, they are currently focusing on firmly establishing themselves in local San Francisco art circles and plan to exhibit their works in galleries around the SF Bay Area. Establishing their name in the international arena is a goal for them and their achievements are a source of pride for Pakistan.
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Posted on 01 February 2012 by Tea Server
Charlie Brooker in Tokyo: 'In Japan geeks are comfortably mainstream':
Video game aficionado Charlie Brooker makes a pilgrimage to Japan, a mecca for electronics, games and comics, and feels right at home among Tokyo’s unfathomable futuristic madness
• Browse our Tokyo city guide
• See our immersive video experiment
• Play classic games in our arcade
People often cite admirably high-minded reasons for wanting to visit a specific foreign country. An interest in history or architecture, perhaps. A desire to walk in the footsteps of their favourite author or artist. Or maybe they want to make a musical pilgrimage to the spiritual birthplace of jazz.
Bully for them, but that’s not me. I wanted to visit Japan because of a video game in which you had to jump over animated turds.
The game was called Kato-chan & Ken-chan – a cheerful platform game in the vein of Super Mario Land, except the lead characters urinated, farted and defecated throughout each level. Kato-chan & Ken-chan was one of many imported, inexplicable Japanese titles I encountered while working in a games shop in the early 90s. Mario and Sonic made sense to western players, but lurking just beyond these palatable mascots was a world of entertainment too strange to ever secure an official European release: fascinating, crazy games full of talking octopuses and jaunty tunes. American games were fun but bland. Japanese games oozed a demented spirit. Unfathomable, futuristic madness: that's what made me want to visit Japan.
Of course, it helps that Japan has, for years, been presented as a kind of Nerd Mecca. Not only is it the undisputed gadget capital of the world, it’s a place where being a geek (or otaku) is comfortably mainstream. Former Prime Minister Taro Aso is an enthusiastic manga-collecting otaku, the TV ad breaks heave with glossy commercials for collectible card games, and multi-storey games arcades are commonplace. There’s a gadget in every hand. Outside rush hour, the subway is eerily silent: thanks to a strong underground signal, everyone’s staring at their smartphones, texting, playing games, or reading. Only after a fortnight did it strike me: not once did I hear a single person actually speaking into their phone on the Tokyo subway. Everyone – and I mean everyone – seemed to be perpetually tapping and swiping in silence. Unnerving to many: to a geek like me, it felt strangely comforting.
It’s easy to find grand-scale geek spectacle in Tokyo: just hop on the monorail to Odaiba, a man-made island in the middle of Tokyo bay. There, nestled amongst a collection of Bizarro skyscrapers straight out of Starship Troopers, is Miraikan, the National Museum of Emerging Science and Innovation. Here you can watch celebrity robot Asimo go through his paces, or simply gawp in astonishment at the gigantic “geo-cosmos globe”: an LCD-clad model of the Earth capable of depicting metrological data in real time. This is what Logan’s Run would’ve looked like if they’d had more money and time. There are also a series of frankly baffling exhibits, including one which, apparently impossibly, projects a gigantic microbe-style creature around your feet as you enter. This virtual floor-dwelling entity then follows you around the room as you shuffle about, interacting with monitors with giant eyes on them, some of which offer to “turn you into a song”. It’s like a cheese dream on a mothership.
For a more down-to-earth nerd-out, Tokyo’s Akihabara district is to geeks what San Francisco’s Castro Street is to the LGBT community. It’s an otaku paradise, an overwhelming whirl of shops selling electronics, games and comics. Any object you can conceive of having a USB attachment poking out of it is for sale, along with several hundred thousand that you can’t.
I’d been looking forward to browsing the shelves for zany gadgets, but the reality was slightly disappointing. Smartphone apps have replaced many of the charmingly pointless Japanese gizmos that used to be pop up on late-90s travel shows. More significantly, the west has become overtly tech-obsessed too. At home, we’re routinely battered over the head with so many miraculous widgets, a sort of amazement fatigue has set in. So while in Japan you can easily stumble across a remote-control tissue box or a battery-operated planetarium for your bathroom (by which I mean a waterproof Saturn-shaped orb that floats in the bath and projects the entire visible universe onto the ceiling), the sense of surrounding novelty has diminished. It’s less “WTF”, more “yeah, that figures”. Touring the electronic shops is still an entertainment in itself: I was merely surprised to discover I didn’t actually want to buy anything.
One of the few places I did want to spend money was in the arcades. In Britain, arcades have largely died out: we play at home, on Xboxes and PlayStations. Consoles are even more widespread in Japan, of course, but for many, finding the time and space to play in comfort is tricky. Home is often a cramped flat for all the family. Hence the evolving use of manga cafes (or mangakissa) for the nerd seeking a bit of peace and quiet. Originally these were internet cafes where otaku could gather to drink coffee and read comics: they’ve subsequently morphed into surrogate bedroom services. For an hourly fee you can hire a private cubicle containing a TV, a BluRay player, a computer, a games console, a stereo … everything you’d find in a techno-savvy twentysomething’s home den, right down to the bed (increasing numbers of people sleep in these bedrooms-for-hire overnight: they’re open 24 hours and are considerably cheaper than a capsule hotel).
Given this environment – herds of itinerant otaku wandering the streets – the continued survival of games arcades in Japan makes sense. But these are a far cry from the traditional British seaside arcade packed with flickery old Track and Field cabinets. These are bleeping, whirring, multistorey citadels filled with people doing things that scarcely make sense to an outsider. Let’s run through a typical example, level-by-level …
On the ground floor: endless rows of what the Japanese call “UFO grabbers” – those familiar fairground games in which you make a doomed attempt to grab an underwhelming prize using a mechanised claw. They seem to love these things, despite the fact that to the best of my knowledge no human being has ever successfully extracted a prize from one. Failure booths, I call them.
Go up a floor and the crazy video-gaming begins. Given the competition from home consoles, arcade machines have to offer something different. Case in point: Cho Chabudai Gaeshi (“Flipping the Tea Table Game”) which consists of an arcade cabinet with a small table attached to it. It’s actually more of a stress reliever than a game: the aim is to vent your frustration by hammering furiously on the tabletop before tipping the whole thing over in a rage. Time it properly and you’ll cause maximum on-screen chaos. My favourite level was set in an office, with the table doubling as a desk: upend your workstation at just the right moment and you’ll send co-workers plummeting out of the window to their deaths.
Above that: a floor filled with super-advanced photo booths known as purikura – essentially digital dressing-up boxes. There are two main uses of a purikura: either jostle in with a bunch of friends to commemorate a night out, or, if you’re a teenage girl and/or a psychopath, spend hours perfecting your costume before having your image digitally altered until you resemble a creepily infantilised manga cover girl.
Top floor: a roomful of sombre youths vying for individual supremacy using some form of networked arcade strategy game that uses collectible cards. Imagine witnessing a game of bridge being played in the Cabinet War Rooms in the year 2072 AD. Some of the games are based around recognisable sports (like football), others around ancient samurai conflicts – but whatever the theme, the nature of the action is absolutely impenetrable to the casual onlooker. The players may as well be communicating psychically. I had no idea what I was looking at: the one thing I did know was that this unfathomable futuristic madness was precisely the sort of thing I’d come to Japan to see. Somehow, I was home.
• Virgin Atlantic (0844 2092 770, virginatlantic.com) flies from London Heathrow to Tokyo from £846pp return. Mandarin Oriental Tokyo (00800 28 28 38 38, mandarinoriental.com/tokyo) offers rooms from £357 per night, B&B. Conrad Tokyo (+81 3 6388 8000conradhotels.com) has Bay View Rooms from ¥42,000 (around £350). The Peninsula Tokyo (+81 3 6270 2888, peninsula.com) costs from £374 B&B, excluding taxes, for a superior room.
Specialist operator Inside Japan (0117 370 9751, insidejapantours.com) offers small group tours, self-guided or fully tailor-made trips. Its 14-night Best of Japan self-guided holiday, which includes stays in the mountains of Hakone, on the island of Miyajima and in the craft town of Takayama as well as Tokyo, Osaka and Kyoto, costs £2,280pp, excluding flights and local transport. For more information go to the Japan National Tourism Organization website: seejapan.co.uk
Posted on 10 January 2012 by Tea Server
Before I start the first post of 2012: Thank you 2011 for leaving, you were truly a terrible year.
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It’s been a whole month and a jump into 2012 since my last blogpost. It’s partially to blame on Twitter, where I’m most often found, constantly tweeting about new shows, exhibitions, grants, photo shares and anything interesting on Pakistani and International Art. The s.a. Project facebook page has grown a lot too and I share many stories at that platform as well.
Today I ended up adding so many more Pakistani / South Asian artists and galleries to my twitter list that it made me think: Maybe I should compile a Pakistan-centric list of people/galleries/art institutions on twitter and post it as a permanent page addition to the blog. It can be updated regularly and people can email in to have their twitter-handles added in. I think a resource like this will provide a lot more exposure and encouragement to the Pakistani art tweeple, who are in all honesty quite sluggish in their posts (says the woman who last blogged on Nov 29, 2011!). At the moment, while the world tweets about world affairs, art, fashion, food and everything you could imagine about, the Pakistani timeline is choked up with journalists and commentators. A lot of them have become good friends and acquaintances of mine, and although they’re doing a great job it becomes very monotonous. So, lets jump on to the bandwagon now shall we, even if we’re a few light years too late!
Another reason I was so delayed was my involvement in a GREAT international art project, with immense possibilities, that I unfortunately had to walk away from because of a few unprofessional members involved. Another case of middle men mismanagement - in any case I have fumed and foamed at the mouth and I’m over it. Moving on…

I’m currently working on the MA (Hons.) Visual Arts Degree Show 2012 post (the show will be wrapping up tomorrow, January 11, 2012) and it should be up in the next few days, or as soon as I receive all the tons of material I’ve requested from them! I’m very excited for the 9 artists that have graduated, many of who are old friends. Over the past few months I have worked closely with a few of them via email and Skype and I’m excited to see how their work has turned out. They did me the great honour of having me write something for their show catalogue and I also got a super cool shout out from them in the end. Made this monster misty-eyed for a moment!
However, I insisted (translate: argued) with them on not writing my title as Art Critic. I don’t think I’m there yet…I’m more of a Has Too Many Opinions title kind of person. I did get an Art Journalist title from them and I know exactly which people at NCA would be scoffing at that.
Additionally, I will also be blogging a Guest Post reviewing a Pakistani group show in San Francisco. I’m excited that people across the globe want to share their own reviews and write-ups here.
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And DO check out the amazing shows Bani Abidi and Huma Mulji put up in Baltic – UK, Project 88 – India and Grey Noise – Pakistan. Clicking on the photos will take you to the exhibition photo albums posted on Facebook.
Bani Abidi: Section Yellow at the Baltic, UK – image courtesy Green Cardamom. The show is also showing at Grey Noise, Pakistan till January 13, 2012.
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Visit The s.a. Project facebook page for more regular updates
And definitely join in on my adventures on twitter – SairaAnsariPK
Posted on 19 December 2011 by Tea Server